Тип публикации: статья из журнала
Год издания: 2008
Ключевые слова: work of art, portrait, spectator, artistic image, index, status, transition, V.A.Serov "Girl With Peaches"
Аннотация: In the process of forming an artistic image, which occurs between a spectator and a pictorial work of art, there is a unique possibility of seeing the "miracle" of transition from the chaos of lines and spots of paints to something illusive and trustworthy. That transition hasn't yet been considered in research since it's difficultПоказать полностьюto explain when and how this "miracle" happens and how a painted line "suddenly" turns into the curl of a young lady and a painted spot "suddenly" becomes the kind smile of an old man. One of the auxiliary concepts that reveals the specificity of formation of the artistic image is "transition". This allows qualitative changes to be observed at every stage in the space of communication between a spectator and a piece of art. This paper analyzes this transitional space. The pictorial portrait "Girl With Peaches" painted by Valentin Alexandrovich Serov in 1887 was chosen as the research subject. The methodological basis is the conceptual propositions of contemporary art theory which examines new ways of understanding the process of communication between a spectator and a work of art.
Журнал: Журнал Сибирского федерального университета. Серия: Гуманитарные и социальные науки
Выпуск журнала: Т. 1, № 3
Номера страниц: 423-435
ISSN журнала: 19971370
Место издания: Красноярск
Издатель: Федеральное государственное автономное образовательное учреждение высшего образования Сибирский федеральный университет