Тип публикации: статья из журнала
Год издания: 2008
Ключевые слова: artistic image, artificiality, FINESSE, iskus (temptation), spectator's subject-language, piece object-language, material status, index status, iconic status, symbolic status, compositional formula
Аннотация: There has always been a problem in understanding the nature of art works through art criticism. Many theoretical schools have appeared which consider a work of art either as an artifact with certain characteristics (size, paint composition, age) - this approach is used by history and archeology - or as a stimulus to the expression Показать полностьюof a spectator's emotional or intellectual traits. Such approaches suggest a condition of separation, a "barrier" between a work of art and its spectator; the communicative process or the powerful domination of one side excludes the comprehension of an artwork as a process and a result of both sides of the relationship. The authors suggest a special approach to considering the nature of artwork on the basis of an equal relationship of between a work of art (= artistic image) and its spectator. Research into the model of an artwork and the spectator's meeting/relationship with it allows new aspects of an artistic image ("Artificiality", "Finesse", "Iskus" (temptation), material status, index status, iconic status, symbolic status, compositional formula) to be revealed.
Журнал: Журнал Сибирского федерального университета. Серия: Гуманитарные и социальные науки
Выпуск журнала: Т. 1, № 2
Номера страниц: 226-244
ISSN журнала: 19971370
Место издания: Красноярск
Издатель: Федеральное государственное автономное образовательное учреждение высшего образования Сибирский федеральный университет