Тип публикации: статья из журнала
Год издания: 2020
Идентификатор DOI: 10.17516/1997-1370-0618
Ключевые слова: ai weiwei, avant-garde chinese art, cai guoqiang, modern chinese art, traditional chinese art, zeng fanzhi
Аннотация: The article formulates and analyses a hypothesis, according to which, thanks to modern postmodern art, a single international visual language was formed in the late 20th – early 21st centuries, and previously mysterious and incomprehensible foundations of national culture became accessible and open at the international level. This Показать полностьюconcept is considered on the basis of the international popularization of Chinese art, as the Chinese national culture and art remained mysterious for Western audiences for many centuries. The mechanisms of popularizing national culture are disclosed in the article based on an analysis of three works created by famous contemporary Chinese artists – Odyssey by Cai Guoqiang, Coloured Vases by Ai Weiwei and Last Supper by Zeng Fanzhi. © Siberian Federal University. All rights reserved
Журнал: Journal of Siberian Federal University - Humanities and Social Sciences
Выпуск журнала: Vol. 13, Is. 6
Номера страниц: 951-962
ISSN журнала: 19971370